Maylis de Kerangal’s “The Heart” combines the language of science, philosophy, and pop culture to create a novel that defies categorization—and frustrates certain literary élites.
The best-selling author Lauren Groff on artistic narcissism, Véra Nabokov, and her winding road to success.
Is Michel Houellebecq’s writing improved when he’s translated into English?
The writer’s new book of criticism is for the reader who “isn’t a professional and isn’t an academic and doesn’t have a theory to promote.”
Five decades after trading paintbrushes for pens, the Irish novelist says writing fiction remains an enigma.
With the writers we read again and again, our interpretation of their stories and legacies tends to change over time.
On Hemingway, Fitzgerald, and the sexual anxiety of the Lost Generation for The Paris Review