Julian Barnes Looks at Art
The writer’s new book of criticism is for the reader who “isn’t a professional and isn’t an academic and doesn’t have a theory to promote.”
The writer’s new book of criticism is for the reader who “isn’t a professional and isn’t an academic and doesn’t have a theory to promote.”
Five decades after trading paintbrushes for pens, the Irish novelist says writing fiction remains an enigma.
On Hemingway, Fitzgerald, and the sexual anxiety of the Lost Generation for The Paris Review
A short profile of the Man Booker Prize-winning author for The New Yorker