Dystopian fiction—especially that written by women with female protagonists—is closer to reality than ever before.
How Marcel Proust’s finances affected his writing.
A brilliant writer, a misogynist, a small-town boy with a haughty, big-city gaze: Naipaul’s life was marked by a sense of doubleness.
A profile and criticism of Wayne Koestenbaum’s poetry of the subconscious.
Three contemporary French authors illuminate the president’s divisive neoliberal agenda and how a diversionary ‘Europe under attack’ narrative might be the key to his success.
Nathan Englander on the novelist’s responsibilities in times of political chaos and what is right, what is wrong, and why we crave the distinction.
What I’d Die for You tells us about Fitzgerald’s troubled final years. And how he turned personal tragedy into his best work.