A review of Sally Rooney’s Normal People
With essays that span the devastating effects of financial inequality and globalization and a new novel on climate change disaster, John Lanchester is becoming the central voice for the end of the world. But such serious business also requires a kind of trickery. It was exceptionally crowded for a weekday afternoon at the British Library as John Lanchester peered into a vitrine containing a curious jewel. It was the final weeks of a sold-out exhibition on Anglo-Saxon kingdoms, and although the show included the oldest surviving copy of the poem Beowulf, the oldest known Latin Bible, and a variety of other literary treasures, these weren’t what the author was most interested in. Instead, Lanchester contemplated a bejeweled golden reading pointer. In the ninth century, its creator, King Alfred, had sixty of them made to accompany copies of his own translation into Old English of a Latin papal text — a kind of premodern marketing campaign. Its most interesting feature is its promotional self-awareness; Lanchester pointed to an inscription on the jewel that read, AELFRED MEC HEHT GEWYRCAN — “Alfred …
Dystopian fiction—especially that written by women with female protagonists—is closer to reality than ever before.
How Marcel Proust’s finances affected his writing.
A brilliant writer, a misogynist, a small-town boy with a haughty, big-city gaze: Naipaul’s life was marked by a sense of doubleness.
A profile and criticism of Wayne Koestenbaum’s poetry of the subconscious.
Three contemporary French authors illuminate the president’s divisive neoliberal agenda and how a diversionary ‘Europe under attack’ narrative might be the key to his success.