What I’d Die for You tells us about Fitzgerald’s troubled final years. And how he turned personal tragedy into his best work.
Paula Hawkins, author of The Girl on The Train and Into the Water, reflects on two unreliable things: narrators and memory.
Maylis de Kerangal’s “The Heart” combines the language of science, philosophy, and pop culture to create a novel that defies categorization—and frustrates certain literary élites.
The best-selling author Lauren Groff on artistic narcissism, Véra Nabokov, and her winding road to success.
Five decades after trading paintbrushes for pens, the Irish novelist says writing fiction remains an enigma.
A short profile of the Man Booker Prize-winning author for The New Yorker
Books are much more. They are a way of being fully human. — Susan Sontag Anyone who has ever cozied up in a corner with a fascinating novel knows the pleasures of an afternoon spent reading. Perhaps it was when you whizzed through breezy books like the Harry Potter series or spent time (and a great deal of energy) grappling with the more serious concepts put forth by the likes of Dostoevsky or Safran Foer. Either way, finding that truly engaging novel is a beautiful moment, and is always something to be cherished. As C.S. Lewis said, “You can never get a cup of tea large enough or a book long enough to suit me.” But what if reading is more than just a simple pleasure, more than something that entertains, teaches and engrosses?