Can a Museum for ‘Progressive Artists’ Have an Arms-Manufacturer Vice-Chairman?
Egon Schiele, whose centenary is being celebrated at museums across the world, presents a unique lens through which to think about the line between art and exploitation.
Mr. Anderson and his partner, Juman Malouf, were given free rein in Austria’s largest museum. But you can’t make an exhibition as you would a movie.
A profile and criticism of Wayne Koestenbaum’s poetry of the subconscious.
The French President’s recent comments hint at a dubious politics: using art restitution as a stopgap to France’s postcolonial responsibilities.
The staggering $450m price reached by ‘Salvator Mundi’ prompts the question: what are you really buying when you buy an artwork?
An exhibition at Paris’ Grand Palais tries to shift our gaze away from Gauguin’s ickiness in Polynesia. It doesn’t work.