On the link between insanity and creativity and how the art of turn-of-the-century mentally ill asylum patients became the basis of contemporary art, from Duchamp to Twombly to Cattelan.
On the allegations against the photorealist Chuck Close, the conflation of art and artist, and the nuances therein.
With 11 of her works on show at the Musée d’Orsay, one of the most underrated sculptors in modern European history is brought out from the shadows
Pigalle Paris, a brand beloved by everyone from Rihanna to Chanel’s president of fashion, addresses the racial and social frictions in the capital.
Abloh’s latest menswear collection attempts to subvert middle-class malaise, but instead showcases the fashion industry’s obsession with ceaseless borrowing from other cultures and social classes.
The New York museum’s introduction of an admission charge reveals a wider problem of donor dependence and a hands-off government.
How the legendary Paris concept store made a business out of “cool”?
The French President’s recent comments hint at a dubious politics: using art restitution as a stopgap to France’s postcolonial responsibilities.
The staggering $450m price reached by ‘Salvator Mundi’ prompts the question: what are you really buying when you buy an artwork?
A new Picasso exhibition, curated by one of his granddaughters, celebrates one of the only women he didn’t harm for his art: his daughter Maya.